Testimonials

Nate Tabor · Period Instrument Maker

Musicians’ Voices

The instruments I make are intended to become part of a musician’s own voice. Here are some of the musicians who have played, commissioned and performed on instruments from my workshop.
Bass Violone after Simon Cimapane · 2023

Keiran Campbell

I am blown away! What an incredible instrument!
Keiran Campbell
Tafelmusik · The English Concert · Philharmonia Baroque

I have recently been playing on a Grancino cello with original neck, and not altered or cut down with a corpus of 78cm, and this instrument completely holds its own next to that monster.

Thank you for building such an incredible beast!

Viola with Renaissance, all-gut Setup · Personal Model · 2022

Dan McCarthy

I can’t recommend Mr. Tabor’s work enough to anyone interested in finding an instrument that is beautiful AND satisfies historical requirements.
Dan McCarthy
Trinity Wall Street Baroque Orchestra · Tafelmusik · Orchestra of the Age of Enlightenment

I commissioned TEX out of an interest in having an instrument to fulfill many of the lower middle instrument roles so common in the Renaissance and Baroque. Over many months of correspondence Nate was able to build an instrument that was truly tailored for me.

This instrument sounds good at any tuning pitch. Not only the viola tunings I use, but I’m able to use different tenor violin tunings with it!

Viola Pomposa after Johann Wagner · Baroque Violin inspired by Gagliano

Oreste De Tommaso

It is a very resonant instrument, with its own unique voice. By listening to it, it teaches me how to play.
Oreste De Tommaso
La Petite Bande · Orchestra of the Age of Enlightenment · London Classical Players

I came to Nate with an enquiry about a viola much larger than it is usually seen around. He responded very well to this demanding challenge and to my unusual brief.

The result is a resonant instrument that happily unites a natural alto and tenor register; a clear and light feminine voice with a darker, masculine and pensive timbre.

17.5″ Tenor Viola · All-gut Renaissance Setup

Emma Alter

Its sound is beautiful, warm, full of character, and with a myriad of sound colours.
Emma Alter
La Nuova Maniera · Academy of Ancient Music · Gabrieli Consort

I am delighted with my tenor viola which Nate made especially for me. We discussed at length both set-up and model. He fashioned it historically in the Gasparo de Salò manner.

Its sound is beautiful, warm, full of character, and with a myriad of sound colours. It is even across the instrument, the sound projects well, and even the C string is beautiful.

“The viola works beautifully, and most importantly my colleagues loved the sound and the way it blended with 16th and 17th-century consort music.”
Renaissance Viola · Personal Model · 2017

Oliver Webber

The viola works beautifully, and most importantly my colleagues loved the sound and the way it blended with 16th and 17th-century consort music.
Oliver Webber
Artistic Director · Monteverdi String Band · Gabrieli Consort · London Handel Orchestra
Baroque Violin after Francesco Gobetti

Rebecca Montgomery Limehouse

TRULY a “soulmate” violin. I can’t put this thing down!
Rebecca Montgomery Limehouse
Baroque violinist

This violin is perfect. I am blown away. I adore the flatness of the fingerboard, so comfortable and so much nicer for baroque repertoire. I am sublimely happy.

17″ Tenor Viola · Modern Setup · Opus 26

Seán-Paul O’Brien

The lower register emanates a true tenor voice, cellistic by comparison, whereas the upper register gradually ripened into the sweetest song.
Seán-Paul O’Brien
Violist · Yamaska String Quartet · Musicians of the World Symphony Orchestra

Like a good pair of shoes, any new instrument needs to be broken in to reveal comfort and joy. It took but only a couple days to begin to flourish.

Viola · Opus 21 · 2011

Mark Wilkins

Nate’s viola has a true viola sonority, producing many timbres and colours.
Mark Wilkins
Violist

The resonance is amazing, with open strings continuing to sound long after the bow has left the string, adding great depth to string crossing passages. The dynamic range is also very impressive, with excellent projection.

Did my chance pay off? Absolutely! Nate has produced a viola which greatly outperforms its price and I cannot recommend his instruments highly enough.

Nona Liddell MBE

Nate Tabor is a most meticulous craftsman. His instruments are beautiful to look at, and the ones that I have heard have an exceptionally fine and full tone.
Nona Liddell MBE
Soloist · Former Leader of the London Sinfonietta · Royal Academy of Music · Trinity College of Music
“Nate Tabor is a most meticulous craftsman. His instruments are beautiful to look at, and the ones that I have heard have an exceptionally fine and full tone.”

Considering an instrument of your own?

Every instrument begins with a conversation. If you have a particular historical period, model, tuning, stringing or sound in mind, I would be happy to discuss the possibilities with you.

Let’s begin a dialogue